STUDIO VIEW
DUMBO Studio
68 jay Street, #524
Brooklyn, NY 11201
Invisible Green 50, 2025
oil, Japanese watercolor, crayons on canvas
79 x 63 in. (200 x 160 cm)
OPENING IN NEW YORK
The Spaceless Gallery
529 West 20th Street
New York, NY 10011
11 September - 30 October 2025
Opening tonight 6-8pm
ON VIEW IN GREENWICH
Heather Gaudio Fine Arts
382 Greenwich Avenue
Greenwich, CT 06830
August - December 2025
Untitled (Luminance), 2025
ink, gouache, oil, aerosol, two-way mirror on polycarbonate
60 x 48 inches
HOLLY HUNT
CHICAGO
Curated by The Spaceless Gallery
August 2025 - August 2026
Invisible Green 49, 2025
oil, crayons on canvas
72 x 100 inches
GROUP SHOW
”SUmmer summer summer”
Alice Folker Gallery
Copenhagen
25 June - 7 August 2025
With: Anna Stahn, Asger Harbou Gjerdevik, Augusta Atla, Casper Aguila, Frederik Næblerød, Helen Teede, Hiu Tung Lau, Jakob Storm, Jóhan Martin Christiansen, Karim Boumjimar, Liv Ertzeid, Maria Zahle, Marie Rud Rosenzweig, Mathilde Vogel, Ragnhild May, Sophie Kitching, Vera Ljunggren, Yasmin Sliai, Yukari Hotta
Marais II, 2024
oil on canvas
76 x 122 cm
Private Collection, Copenhagen
GROUP SHOW
”Solstice”
Hosted by The Finch Project and San Stae
Leamington Spa, United Kingdom
21 June - 16 July 2025
DUMBO
OPEN STUDIOS
68 Jay Street, Studio 524, Brooklyn NY 11201
26-27 April 2025
STUDIO VISIT
THE LINE UP
Hosted by Maria-Anna Messner-Haidenthaler
68 Jay Street, Studio 524, Brooklyn NY 11201
13 February 2025
5-8 pm
Collection Morgan Stanley
Morgan Stanley Global headquarters
curated by Heidi Lee Komaroni
1585 Broadway, New York, NY 10036
On view since December 2024
Invisible Green 42, 2024
oil, Japanese watercolor,crayons, varnish on canvas
48 x 60 in. (122 x 152,5 cm)
Collection Morgan Stanley
Photo credit: Alex Yudzon
ART HERNING 2025
ART FAIR
Alice folker Gallery
HERNING, DK
31 January - 2 February 2025
Nocturne IV, 2022
oil, ink, pastels on canvas
51 1/8 x 63 3/4 in. (130 x 162 cm)
SOLO SHOW
”DENATURE”
Alice folker Gallery
Copenhagen, DK
24 January - 21 March 2025











Installation views, DENATURE, Alice Folker Gallery, Copenhagen, 2025
photo credit: Jan Søndergaard
STUDIO VISIT
DUMBO
68 Jay Street
Brooklyn, ny 11201
January 2025
Studio views, 68 Jay Street, DUMBO, 2025
photo credit: Ferdinand Goëss
SOLO SHOW
”DENATURE”
Alice folker Gallery
Copenhagen, DK
24 January - 21 March 2025
Payne
Polycarbonate
Polychroma
Invisible Green
Nocturne
Emerald Green
Decompose
Denature
Sophie Kitching’s exhibition DENATURE offers a panorama of her most defining painting series, in which she approaches landscape through color, material, form, abstraction and visual saturation. There is no horizon line in her works, there are no borders, and the use of a bright and dark color palette conveys the sense that the depicted nature is simultaneously close and at a distance. Through the juxtaposition of pictorial approaches, the artist explores painting as an act of transformation. Her light touch contrasts with denser compositions, reminding us that the expression of nature knows no bound. Sophie Kitching’s distinctive mark-making spanning accross various surfaces invites us to wander in her polychromatic creations, imprinting the retina in a long-lasting way.
Her Payne monochromes draw inspiration from a tone of grey used to depict shadows with more delicacy. Layered oil pastel soaked in turpentine are imprinted on canvas with successive folds of plastic. The modular paintings on Polycarbonate use corrugated panel and mirror to suspend painterly gestures on a translucent ground, while the ridged surface marks the site around it with geometric awareness. In Polychroma, a photographic landscape printed in black & white is obscured by pigmented drips. The accumulation of touches blur the image into a polychromatic field filled with light. The Invisible Green series explores the melding of forms and color by time and memory. Abstracted petals of color overlap and evoke a tension between the seen and unseen. In the Nocturne paintings, leaf-like shapes rendered through quick brushstrokes, drips and patterns, elicit a sense of movement and musicality, while some parts are conceiled by shadow and night. Visions of flora emerge from dense Emerald Green paintings. This luminous, almost supernatural green filters the landscape and contains a depth that appears three-dimensional. In Decompose, floral elements of an informal garden are spread in an airy composition. The washed out venetian red base allows for the motif to expand beyond the constraint of the canvas and into a mural.
Through her paintings, Sophie Kitching aims to challenge and transform the inherent natural qualities of her surroundings. The different body of works compose the artist’s own landscape, idyllic and pastoral, natural and wild, contained and multihyphenate. Her experimentations offer an intimate overview into her conceptual approach towards landscape painting, exploring the margin between control and nature.
STUDIO VISIT
THE LINE UP
Hosted by Maria-Anna Messner-Haidenthaler
BROOKLYN, NY
17 January 2025
“An invitation
To become sublimely lost
Amongst the unseen
To dive within the flora
Submerged in viridescence
Scattering the colourful debris
Which gently settles in my wake”
—Tiffany Jade
GROUP SHOW
”LANDSCAPE PAINTING TODAY”
MESSUMS WEST
TISBURY, UK
11 January - 24 February 2025
“You can cut all the flowers, but you can’t keep spring from coming” – Pablo Neruda
Messums is thrilled to announce an upcoming group exhibition in the extraordinary tithe barn at Messums West which considers individual and collective responses to environment represented in landscape painting today. This exhibition delves into the dynamic realm of contemporary painting through the lens of artists who reimagine and experience the natural world through their practices. Landscapes are a potent medium for exploring the intricate symbiotic relationship we have with nature and how, through painting, our perspectives can change to reflect this.
Our curatorial approach aims to draw together perceptions of landscape through the eyes of artists who experience, observe, and appreciate it, demonstrating how understanding through observation can lead to different value systems of perceived beauty. The deeper purpose is to not only reflect this beauty but to invite the viewer to reconsider their own interactions with the environment. With a range of art forms that address everything from ecological issues to envisioning harmonious coexistence, the exhibition underscores art’s vital role in fostering awareness and inspiring change in our engagement in the world around us.
The selection process was based on a range of criteria, relating largely to materials, working practices and subject matter. The aim is to look at the conversation around landscape in the 21st century in a deeper context, with critical thinking exploring how landscape and our collective wellbeing mirror each other. Above all, it considers the entwined nature of our relationship with the environment, celebrated through the marks we make. With a spirit of resilience, we echo Pablo Neruda’s sentiment: “You can cut all the flowers, but you can’t keep spring from coming.” This exhibition celebrates the green force that flows through us all, whilst recognising the consequences that can occur when we make wrong assumptions about nature.
The exhibition originated in an open call out which aimed to discover new and exciting work being produced by emerging and mid-career artists outside the gallery’s immediate sphere. The incredible global response resulted in a hugely successful exhibition at Messums London in 2024, and this exhibition expands the scope of this project to present a much larger selection of work, introducing artists who were not able to be accommodated in the Cork Street gallery, thus embracing the rich diversity and exceptional talent of contemporary landscape artists today.
Selected artists: Martha Beaumont, Cara Campbell, Tessa Coleman, Matilda Dumas, Florence Evenden, Rene Gonzalez, Jelly Green, Harry Martin, Beatrice Hassell McCosh, Tyga Helme, Jean Huang, Sax Impey, Sophie Kitching, Binny Mathews, Peter Matthews, Sofia Petrova, Michael Rainsford, Harriet White
HAPPY NEW YEAR 2025
from JOALI MALDIVES
Invisible Green XXX, 2023
oil, watercolor, pastel, crayons on canvas
72 x 100 in. (183 x 254 cm)
Collection Maison Ruinart
Installation view, JOALI Maldives, 2024-2025