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DAYS IN BETWEEN

DAYS IN BETWEEN

installation, 47 Howard St, Soho, New York, 2015

 

——

The installation Days in between is constructed as a narrative where the process of adding and layering confronts a gradual disappearance. Set in a basement without windows, the depth, sound and darkness of the space are part of the piece.

Outside, the streets offer a succession of windows desperately trying to grab attention with neon signs, moving images, flashing lights. They are brutal intrusions in one’s perception, but their repetition also generates a soothing pace to the walk. Windows can also stage micro settings for individual scenes. Looking into someone’s home at night procures a sense of immediate intimacy.

Days in between explores a conceptual environment guided by these ephemeral and everyday interactions. The installation as a whole is a promenade through light and surface, shadows and images, distance and proximity, where the experimental and the reflective overlap, allowing the eye and the body to explore gaps in between. 

 

——

as part of Pop Up Soho with Brutal Magazine, Morgenstern's Finest Ice Cream, Horse Cycles

vinyl blinds, video projections, neon, gold leaf, paper, c-print, fluorescent lamp, painter's lamp, oil on wood

DAYS IN BETWEEN

DAYS IN BETWEEN

installation, 47 Howard St, Soho, New York, 2015

DAYS IN BETWEEN

DAYS IN BETWEEN

installation, 47 Howard St, Soho, New York, 2015

DAYS IN BETWEEN

DAYS IN BETWEEN

Blind 11/1, video projection on vinyl blind, 2015

DAYS IN BETWEEN

installation, 47 Howard St, Soho, New York, 2015

 

——

The installation Days in between is constructed as a narrative where the process of adding and layering confronts a gradual disappearance. Set in a basement without windows, the depth, sound and darkness of the space are part of the piece.

Outside, the streets offer a succession of windows desperately trying to grab attention with neon signs, moving images, flashing lights. They are brutal intrusions in one’s perception, but their repetition also generates a soothing pace to the walk. Windows can also stage micro settings for individual scenes. Looking into someone’s home at night procures a sense of immediate intimacy.

Days in between explores a conceptual environment guided by these ephemeral and everyday interactions. The installation as a whole is a promenade through light and surface, shadows and images, distance and proximity, where the experimental and the reflective overlap, allowing the eye and the body to explore gaps in between. 

 

——

as part of Pop Up Soho with Brutal Magazine, Morgenstern's Finest Ice Cream, Horse Cycles

vinyl blinds, video projections, neon, gold leaf, paper, c-print, fluorescent lamp, painter's lamp, oil on wood

DAYS IN BETWEEN

installation, 47 Howard St, Soho, New York, 2015

DAYS IN BETWEEN

installation, 47 Howard St, Soho, New York, 2015

DAYS IN BETWEEN

Blind 11/1, video projection on vinyl blind, 2015

DAYS IN BETWEEN
DAYS IN BETWEEN
DAYS IN BETWEEN
DAYS IN BETWEEN